Lu teacher, after reading in the Guangdong Museum of Art at the "behind it - a new era of animation aesthetics" exhibition, I feel in its scale, exhibitors disciplines of the arts than anywhere else in the contemporary art exhibition nowadays which is very rare, It can be said of China's "Cartoon Generation" and "new cartoon generation" a big party. To organize such an international exhibition is, indeed, is not easy! As a curator, please talk about was how to plan this exhibition? In 2007, the Museum of Contemporary Art in Shanghai, we have successfully launched the first "flash" aesthetic of the Biennial, reacted strongly. If you want to let "animation aesthetics" create a climate, it must expand its influence, so we opened with the cross-strait direct route of then proceed to plan for the four sides at the second session of the "Animation Aesthetics" Biennial . Series since the original plan that I sheppey Ni, Pan Qing, Liu Chun-chieh wind and Ronald Susilo of cross-strait four Guan (Chinese Taipei Museum of Contemporary Art, Shanghai Museum of Contemporary Art, Beijing Today Art Museum and Guangdong Museum of Art) in four different exhibitions of common planning time and space to pierce more than 300 people participating in a "animation aesthetic" movement. However, before the launch, due to the operation of Chinese Taipei Museum of Contemporary Art attitude, state of the ever-changing display, and finally completely changed the original group of Li-Qun Ce's mind, very unfortunate. So with Taiwan
Shanghai and other places than you think Inflatable Cartoons contemporary art environment for the survival of Guangdong what? And Taipei, Shanghai, Beijing and other places than the Guangdong region of contemporary art exhibition space and opportunity than less so in the end, I and two young curators (HUANG Yun and Zhang Jiaping) jointly decided to raise the Guangzhou local artists, in this The exhibition, exhibitors in the proportion of fully demonstrated the vitality of Guangzhou, the contemporary art world. You are well versed in China and the world of contemporary art's survival, development status, how to assess the Guangdong region of contemporary art? Victoria Lu: Guangdong living space and contemporary art in Taiwan, Shanghai and other places than the artist's means to survival is clearly more free, more pure, I visited a lot of art studios, artists can see that most of the Inflatable Cartoons meditation and simple to engage in artistic creation, find valuable. Of them have very good basic skills and do not chase trends, are not subject to market impact, so most people can develop relatively autonomous creative line, space, and each one of the artist's face are relatively self-evident.
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