By the internationally renowned curator Mr. Lu Rongzhi presents "behind it - a new era of animation aesthetics" exhibition currently on display in Guangdong Museum of Art, this exhibition of art categories of diverse works of the concept of novelty can be described as a new era " animation aesthetics "after the artists put forward the concrete practice of the latest manifestation of a more comprehensive highlights from that year's" cartoon generation "to today's" animation aesthetics "formed by the artistic characteristics. Although the United States and Japan is the world's animation industry, "leader"
but they have not yet related to the profound, the system's aesthetic ideas, such as Takashi Murakami, Yoshitomo Nara, also only Inflatable Slides thought of "super-flat" and did not put them The artistic practice into the areas where the aesthetics of metaphysical thinking. In this way, "animation aesthetics" Natural is the first time, put forward by the Chinese art of aesthetics with the global impact of new ideas, is the 21st century art theory in the field of the world's major contribution to contemporary Chinese art and its development of the world's art all have a significant impact. However, the "animation aesthetics" in this strategically advantageous position of the aesthetic ideas are not baseless creations. As early as 1992, the Chinese artist Huang Han led a "cartoon generation", culture, sports, Inflatable Slides and Victoria Lu planned in 2004, "Virtual Love" exhibition for the first time proposed a "new aesthetic animation" concept. Therefore, in dialogue with reporters, Victoria Lu the "Cartoon Generation" as the rise in Asia, "animation aesthetics" of the source, and asserts that "animation aesthetics" will be able to become the mainstream of the 21st century aesthetic ideas.
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